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Set in contemporary time at a Baptist
high school, saved tells of one girl's trying summer previous
to her senior year. Partaking in one of her and her boyfriend's
favorite pastimes, the two begin to tell each other secret's under
the water. That's when Dean (Chad Faust) tells Mary (Jena Malone)
that he's gay. Confused, Mary plunges her way to the surface,
only to hit her head on the ladder on the way up, knocking her
unconscious. As she lady drowning in the pool she sees a vision
of Jesus who tells her, "Dean needs you now". Pulled to safety
by the ambivalently Jesus-looking gardener, Mary begins to question
what her 'vision' meant.
Enter the infamous Hilary Faye (Mandy
Moore): Mary's best friend and lead singer of the choir. Hilary
Faye is what you would call a Christian zealot. She is determined
to live righteously by the Lord and protect her soul from the
heathens. This, she determines, means learning how to shoot a
gun to ward off potential rapists looking to steal her virginity.
At the shooting range, Hilary Faye tells Mary that though you
can never psychically be a virgin again, you can regain a virginal
heart via Christ's atonement. This of course, plants the ridiculous
idea in the naïve Mary's head that by sleeping with Dean she will
cure him of his gayness and appease God's request; her losing
her virginity for the Lord will allow her to be a born-again virgin
and pure of heart, thereafter.
Stealthily creeping into Dean's room,
Mary interrupts Dean's 'gay porno' session and pounces on him.
The two copulate and then Mary prays for forgiveness, believing
Dean is now straight and she is free of her sins. A few months
pass and the new school year commences. But on their way to pick
up Dean, Mary is confronted by Dean's parents who reveal to her
their discovery of Dean's "sinful gayness". To cure him they have
shipped him off to 'Mercy Hill', the Christian treatment center,
where he will be roomed with, ironically, another gay, during
his quest to Christian purity and straightness. Meanwhile Mary
is coping with her plight back at school and has confided in her
friends, including the disgusted Hilary Faye who takes it upon
herself to hold a convention to pray for Dean's soul, and invites
the new boy, Pastor Skip's son Patrick (Patrick Fugit) to the
payer ceremony, hoping to turn his eyes away from Mary by exposing
her current plight with her sinful boyfriend.
But Dean isn't the only soul Hilary
has set out to 'save'. As she tries relentlessly to get the only
Jew at Eagle Christian High, Cassandra (Eva Amurri), to convert
from Judaism to Christianity, she is affronted with Cassandra's
indifferent rejections and rebellious attitude. Donning her gothic
makeup and nonchalant aura, the wily Cassandra continues to lash
out against the Christian 'hypocrites' and catches the eye of,
appropriately enough, Hilary Faye's handicap brother Roland (Macaulay
Culkin). To Hilary's dismay, the two social misfits begin to get
along rather well, as does the newly pregnant Mary.
In fear of exposing her 'sin', Mary
begins to don baggy clothing to hide the mutating bump on her
belly. Meanwhile Cassandra picks up on Mary's random 'bathroom
passes', and begins to console her situation. Cassandra, the wily
sinner, the 'antichrist', shows compassion and sympathizes with
Mary's predicament. From duo to trio, Cassandra, Roland, and Mary
hit the town in rebellious fashion, turning heads with their 'anti-Christian'
behavior, which includes their maxing out Hilary's credit card
at the mall for some new maternity clothes for mother-to-be Mary.
Meanwhile Patrick has begun to take
quite an interest in the independent Mary whose consistent "exercise
of free will" inspires the true Christian boy. Embarrassed and
ashamed of her undetected situation however, Mary does her best
to remain cordial yet un-encouraging for Patrick's pursuits. Nevertheless
he asks her to prom and she concedes under the agreement that
they go as friends.
But Hilary Faye was intent on asking
Patrick to the prom. Enraged at not getting her way, Hilary Faye
purchases several bottles of spray paint, defaces campus, and
pins it on Cassandra and Mary, getting them expelled form school
in the process. Meanwhile Mary's unknowing mother Lillian (Mary-Louise
Parker) has been so involved with her affairs with high school
pastor Skip that she never noticed her daughter's pregnancy or
her 'irresponsible' behavior thereafter. But the reality check
confuses her mother who is torn between wanting to keep her daughter
safe and wanting to send her away to Mercy Hill at the desires
of Skip, whom she has been paying much more attention to than
her own daughter lately. Pleading to Skip to understand that their
actions, Lillian's and Skip's, as well as Mary's, are not actually
going against the favor of the Lord, Lillian tries to convince
Skip that her decision to send Mary away would actually be unmerciful.
Still, Skip's passionate persistence that he and Lillian are unfit
to spiritually guide Mary provokes Lillian's consent to send her
daughter away to Mercy Hill.
But Mary's loyal friends Cassandra
and Roland save the day, bringing her a knight in shining armor,
the merciful Patrick, and an, appropriately enough, red dress
to wear to her senior prom. Once there, however, Hilary Faye begins
to throw a fit, complaining that the 'sinners' are in the company
of the pure student body. But her brother exposes her treacherous
act and, her pride being humiliated, Hilary Faye drives her mini-van
into the billboard Jesus, decapitating His head on impact. But
the compassionate Cassandra and loyal Roland run to her rescue
and show her that its okay to not be perfect and that God loves
even the 'sinners' of this world. Meanwhile Mary's ex-boyfriend
Dean shows up to the prom to discover that Mary is about to have
his child. Just as excited that he is for her pregnancy, so is
Mary excited for his having found happiness in his life partner.
But Pastor Skip threatens to throw Dean and the rest of the Mercy
Hill 'transgressors' out of prom until Mary steps in and begs
the question: "Why would God make us all so different if he wanted
us all to be the same?", just before she falls over in birthing
pains and is rushed to the hospital, followed by her support group
which includes her mother, her gay ex-boyfriend Dean and his new
boyfriend, her new boyfriend Patrick, Cassandra and Roland. And
it looks like even Pastor Skip might join along for the ride in
the end, or not? Some things never can change.
"Saved!" is a brilliant movie that
addresses real controversies, not just with religious perversions,
but also with the precarious age of adolescence and its vulnerability.
Apt to be wrongly influenced, easily mislead, "Saved!" unveils
the truth about needing to lead youth in the right direction by
making sure they are receiving the right message; one that isn't
misinterpreted by the mind of the youth, albeit the message of
God. Though Dannelly walks the fine line between blaspheming and
exposing the ultimate truth, this highly controversial film is
both enlightening and inspiring.
"Saved!" reveals the truth about
hypocrisy and its many shades, including the cloak of religious
jargon. Though on the surface "Saved!" appears to challenge Christian
doctrine, the film actually reveres Christianity's true intentions
in the end: mercy is dispelled on even the sinners, justice prevails,
piety is bestowed unto the sinner, etc. "Saved!" may seem a blasphemous
tale, but in reality, "Saved!" is a necessary mirror that one
needs to hold up to their own face; the discomfort one feels when
watching the film is their own guilty conscious. "Saved!" exposes
the ugly truth that none of us are perfect, none of us fit God's
mold all the time, but that doesn't mean He still doesn't love
us for who we are, and likewise, that we shouldn't love each other
just as we are, regardless of our imperfections.
More importantly, "Saved!" successfully
walks the tenuous line of social commentary. The comedic genre
gracefully approaches the difficult subject matter in a means
befitting the film's message. To make "Saved!" a drama would make
it seem to preachy, and borderline hypocritical in light of the
film's message. Thus the comedic approach, though while it may
appear to mock Christianity, is actually the perfect vehicle for
poking fun at the universal trait of hypocrisy, which exists in
all shapes and forms, even in you and me. And "Saved!" is as funny
as it is enlightening and revolutionary.
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